schumann piano concerto review

54 Piano Concerto was the product of a period of orchestrally-oriented output following marriage; completed in 1845, it was premiered by Clara. Review: “33” – Simon Ghraichy, Piano (DG) The Kreisleriana is a different story; The never-ending conflicts that comprise Schumann’s big piano cycles are met with outstanding sensitivity, and the tone, pedal and phrasing control are all superb. Review: Behzod Abduraimov Plays Debussy, Chopin Mussorgsky, Review: “Verklärte Nacht” – Rice, Skelton, BBC Symphony Orchestra, Gardner, Review: Hans Rott – Complete Orchestral Works, Vol.2 – Gürzenich Orchester Köln, Ward, Review: Charles Ives – Complete Symphonies – LAPO, Dudamel, Review: “Romance” – Isata Kanneh-Mason Plays Clara Schumann, Review: Schumann – Symphonies No. Find album reviews, stream songs, credits and award information for Schumann: Piano Concerto; Fantasiestücke, Op.12 - Martha Argerich on AllMusic - 2005 - Why … Best service. 2 Papillons, “Florestan” is an embodiment of the … You are here: Home › Grieg/Schumann: Piano concertos/Perahia. Complete your Schumann* - Grieg* - Berliner Philharmoniker, Krystian Zimerman, Herbert Von Karajan collection. Get our periodic classical music newsletter with our recent reviews, news and beginners guides. Order from your preferred classical music CD store - ArkivMusic. 54 (1841-45) [31:29] Introduction and Allegro appassionato Op. The most striking thing about this recording on first encounter is not the elegant, fluent playing of Angela Hewitt (that's a given in all her performances) but the tempo of the closing allegro vivace of the Piano Concerto. Find album reviews, stream songs, credits and award information for Schumann: Piano Concerto - Angela Hewitt, Hannu Lintu, Deutsches Symphonie-Orchester Berlin on AllMusic - 2012 - Angela Hewitt, known mostly for recordings of… It covers new album reviews by knowledgeable and independent writers, as well as in-depth guides and news. Howard Shelley (piano) Tasmanian Symphony Orchestra, Howard Shelley. Neither, however, would I be willing to give up the other performances named above. In every bar Richter is so oriignal that instead of hearing a warhorse among warhorses, you feel you've never heard the Grieg concerto before. Piano Concerto. 15-18 August 2011, Jesus-Christus-Kirche, Berlin HYPERION CDA67885 [62:02] I’m not entirely sure which recording it was … It's an example of Hewitt's meticulous attention to detail that is always so evident, whether she's playing Bach or Messiaen. Romance: The Piano Music of Clara Schumann review – a boldly assertive celebration. Her perfect handling of the breathtakingly lovely opening of the Introduction and Allegro appassionato would melt the hardest of hearts. Schumann: Piano concerto, etc./Zacharias. CLARA SCHUMANN: Piano Concerto in A minor Op. She displays, as usual, a unique feel for the music and her technique is beyond reproach. The other one (on DOR-90172, actually recorded later than this one), with the Dallas Symphony, is paired with the Brahms Piano Concerto No. Clara Schumann was born in Leipzig in 1819 and her father Friedrich Wieck, a piano teacher, tutored her as a pianist from an early age. Her playing from from 2:07 until the return of the C major section expresses a nuanced yet painful longing, and in the final section (5:21 onwards) this feeling now takes on a less anguished form; her tender sensitivity and the key of F major help create a sense of gentle reminiscence. Clara Schumann is represented with a set of variations of her own – the Op. I’m not entirely sure which recording it was of the Schumann Piano Concerto in A minor it was I listened to about 900 times while tackling the work’s analytical nuances for O Level exams in the UK in the early 1980s, but there have been so many recordings since it hardly matters. 20 Variations on a theme of Robert Schumann. Angela Hewitt, Deutsches Symphonie-Orchester Berlin/Lintu, he most striking thing about this recording on first encounter is not, the elegant, fluent playing of Angela Hewitt. If I have any preference, it's for the warmer sound of the Czech Philharmonic, due in part to the woodier woodwinds. The Op. 92 (1849) Introduction and Allegro Op. 1 – Moog, Deutsche Radio Philharmonie, Milton, Review: Britten – Saint Nicolas, A Ceremony of Carols – BBC Concert Orchestra, Crouch End Festival Chorus, Temple, Read of the latest news in classical music, Looking for the best version of a classical music piece? This work contains an interesting psychological component that also resides in many of Schumann’s other works: the relationship between opposing sides of his personality. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means. 14 Sonata (1836) was named “Concerto Without Orchestra” by Schumann’s publisher Tobias Haslinger, in an attempt for it to appeal to a wider audience. Jáuregui highlights this aspect while still maintaining the overall unity of the work. Dvorak, Grieg, Schumann: Piano Concertos / Sviatos ... by Grieg, Edvard, Schumann, Robert on SuperAudio CD. These days, Schumann’s Cello Concerto is considered one of the most popular concertos written for the instrument, but it had a rocky start. 1. Review by: Jed Distler. However, her Florestan is in some cases a little too subdued and could use more vigor and edge to portray the conflict between the two forces that drives the movement. 27 FRIEDRICH KALKBRENNER: Le rêve Op. Normally it's a helter-skelter race to the finish, but here Hewitt and Hannu Lintu choose a surprisingly stately pace, reflecting Schumann's actual metronome marking and bringing out the movement's swinging, waltz-like character. His approach is plain-spoken and rather broad, with no attempt at virtuoso flash. 20Judith Jáuregui – PianoOrquestra Simfònica Camera MusicaleTomàs Grau – Conductor, Read more classical music reviews or visit The Classic Review Amazon store. Maria João Pires pf LSO / Sir John Eliot Gardiner (LSO Live) 'The Schumann Concerto with Maria João Pires is conceptually similar to the version she made with Claudio Abbado – chosen tempi are near identical – except that here orchestral textures are maybe just a little lighter. Made six years earlier, the younger orchestra had not quite come into its own, and the precision and meticulousness of the Tchaikovskyis not yet present. Hyperion - 68240; CD; Share This Review: Latest ClassicsToday Insider Reviews: Reference Recording: Charles Rosen’s Distinctive Diabellis. Fast delivery. The magic is all in the phrasing, where Richter was peerless, and of course in his lion … Highly desirable and extremely rewarding. 92 (1849) [15:44] Introduction and Concert-Allegro, Op. Robert Schumann's "Piano Concerto" is well-known and should be in any classical music fan's collection already. … “Die Romantische Seele”R.Schumann – Piano Concerto, Variations form Piano Sonata No. This Argerich performance is just as fiery as you would expect from her. Kanneh-Mason/Royal Liverpool PO/Mathieson (Decca) Two centuries after her birth, this tribute to Schumann … Review by: David Hurwitz. She evokes a vibrant musicality from the deep, hymn-like quality of the opening to the delicate polyphony of the middle. I'm hard pressed to choose between them - both are wonderful. 134 (1853) Jeno Jando (piano) Budapest Symphony Orchestra/Andras Ligetti (Op. In particular, I felt that Jáuregui shows great expressivity throughout the movement each time Eusebius appears (the dreamy A-flat major section in the middle is very nice). All rights reserved. Appearing as early as his Op. Similarly to the Piano Concerto, it was conceived more as a “fantasy” than a proper three-movement concerto, and compared with other middle 19th-century cello concertos, it is less preoccupied with virtuosity display of the soloist than with the musical statement and dialogue … Artistic Quality: 3 Sound Quality: 7. Robert SCHUMANN (1810 - 1856) Piano Concerto in A Minor, Op. 1 and 3 – LSO, Gardiner, Review: Schumann – Fantasy, Kreisleriana – Yeol Eum Son, Piano, Review: Strauss – Also sprach Zarathustra, Don Juan, Till Eulenspiegel – Urbański, Review: Rimsky-Korsakov – Orchestral Works – Oslo Philharmonic, Vasily Petrenko, Review: Monteverdi – il terzo libro de’ madrigali – Alessandrini, Review: “Dear Mademoiselle” – Astrig Siranossian, Cello, Review: Saint-Saëns – Chamber Works – Chamayou, Capuçon, Moreau, Review: “Penderecki’s Sinfonietta(s)” – Sinfonietta Cracovia, Jurek Dybał, Review: Brahms – Piano Concerto No. 2 Papillons, “Florestan” is an embodiment of the bold extrovert while “Eusebius” is the contemplative introvert. Grieg/Schumann: Piano concertos/Perahia. The same goes for the joyful final movement, which is quite lovely but could use a little more of Florestan’s sprightly energy if not impetuousness. In her interpretation, Jáuregui effectively expresses the relationship between these two characters. 54 Piano Concerto was the product of a period of orchestrally-oriented output following marriage; completed in 1845, it was premiered by Clara. It remains very much at the forefront of my favourite works. The Piano Concerto in A minor, Op. Read our Best Of guides for classical music. Robert SCHUMANN (1810-1856) Piano Concerto in A Minor Op. I’d … There are many, many fine performances available: Fleisher, Zimerman, Pollini, Perahia, Kovacevich, Lupu, etc. But this 1974 pairing of the Grieg and Schumann piano concertos reveals that the titan wasn't sleeping. 3, ArabeskeClara Wieck-Schumann – Variations, Op. It covers classical music reviews, as well as in-depth guides and classical music news. For various technical reasons, I doubt that anyone listening blind would identify this live Schumann concerto as coming from Michelangeli. Throughout, one can hear its strength as a full force but there are also beautiful moments of chamber-style textures, such as the fine wind ensemble playing in the first movement. Sat 30 Jun 2012 … The Classic Review was launched in 2018 for classical music lovers around the globe. Whatever has been said about him, it should be acknowledged that he was prepared, and eager, to see his daughter become an accomplished pianist who could earn her living as such. 134 (1853) [14:47] Angela Hewitt (piano) Deutsches Symphonie-Orchester Berlin/Hannu Lintu rec. 113 HENRI HERZ: Rondo de concert Op. Rudolf Serkin’s gaunt tone and impassioned phrasing, along with Eugene Ormandy’s robust, alert support, have long distinguished this 1964 recording of Schumann’s A minor concerto as one of the catalog’s finest. Great prices. The Classic Review was launched in 2018 for classical music lovers around the globe. Find album reviews, stream songs, credits and award information for Grieg, Schumann: Piano Concertos - Claudio Arrau, Christoph von Dohnányi on AllMusic - 2004 Read the review. by Jed … [A joyous and songful Schumann.] 7 FERDINAND HILLER: Konzertstücke Op. 86 Konzertstücke for four solo horns. The performance is impressive; the interpretation speaks to the refined nature of the writing while remains passionate and honest, a valuable glimpse into the musical and emotional connection between Robert and Clara. The Quasi Variazioni movement featured on this album is perhaps the most poignant of the sonata and one of Jáuregui’s best performances: she has a breathtaking sound quality in the delicate and moving lyricism of the upper voice and the resonant, swirling bass line (also thanks to the fine Bösendorfer grand she plays). Appearing as early as his Op. 113 . Notes and Editorial Reviews. The Orquestra Simfònica Camera Musicae presents a strong performance that matches the soloist’s overall musicality. In Die Romantische Seele, Judith Jáuregui presents works by Robert and Clara Schumann, exploring the themes of love and longing that underlie many of their compositions. For example, the opening descending chords in the piano mark Florestan’s impassioned presence that quickly gives way to Eusebius’ delicate and sorrowful entrance. Artistic Quality: 9 Sound Quality: 9. * Schumann Piano Concerto in A Minor, Janis, Skrowaczewski, Minneapolis Symphony, Mercury Living Presence 432 011-2 (Includes the Tchaikovsky Piano Concerto No.1 with Menges and the London Symphony.). Schumann: Piano Concerto – review Angela Hewitt, Deutsches Symphonie-Orchester Berlin/Lintu (Hyperion) Stephen Pritchard . You are here: Home › Schumann: Piano concerto, etc./Zacharias. And for years, the fluent and bracing Serkin/Ormandy performance of Schumann’s underrated G major Introduction and Allegro Appassionato served as the version of reference, and still does in many … Gerhard Oppitz, Marc Andreae, and the Bamberg Symphony Orchestra offer the three principal piano and orchestra works by Robert Schumann as grouped in a concurrent release featuring Angela Hewitt, adding the piano transcription of the Op. This work contains an interesting psychological component that also resides in many of Schumann’s other works: the relationship between opposing sides of his personality. A notable comparison here is Martha Argerich (either with Riccardo Chailly and the Gewandhausorchester Leipzig or with Harnoncourt and the Chamber Orchestra of Europe) – her notes seem to have a little more ‘snap’ and swinging rhythmic presence, giving the movement a brightness and vitality. A highly recommended listen. The Piano Concerto in A minor, Op. Jáuregui’s playing is elegantly restrained yet emotive, highlighting the romantic themes prevalent throughout the music. Read and write album reviews for Schumann: Piano Concerto - Evgeny Kissin, Carlo Maria Giulini on AllMusic The Op. The profundity of the final F minor chords sounds like tolling bells dissipating into the distance. Schumann’s Piano Concerto is heard so often that its originality can be taken for granted. 54 (1846) Introduction and Allegro Appassionato Op. The Schumann piano concerto was the work that transformed my musical listening from the popular music of the 1970s and 1980s to classical. Please make no mistake, I would not be without these interpretations. The recording of Schumann's Piano Concerto is quite a different story. 54 recorded in the Italian Institute, Budapest 1 st – 6 th March 1988), BRT Philharmonic Orchestra/Alexander Rahbari (Op. It is one of the most widely performed and recorded piano concertos from the Romantic period. While this title was not well received by the likes of Liszt or Ignaz Moscheles (to whom the work was dedicated), it is in some ways an apt moniker that reflects its immensity. We now have two Moravec performances of the Schumann Piano Concerto. Seventy-four-year-old pianist Alfred Cortotis also not heard at … Though not as expansive as the Fantaisie in the same key, the “Arabeske” in C Major that closes the album uses tonality both as a novel compositional device and as a means of reflection upon emotional conflict. He was 64 at the time (1984),not at all old, but there's a loss of edge here; we aren't given the crystalline, precise tone of the younger, commanding musician. 7, was composed by Clara Wieck, better known as Clara Schumann after her later marriage to Robert Schumann.She completed her only finished piano concerto in 1835, and played it first that year with the Leipzig Gewandhaus Orchestra, conducted by Felix Mendelssohn The principal problem with Christian Zacharias’ conducting of the Schumann concerto is this: he can’t do it. 54, by the German Romantic composer Robert Schumann was completed in 1845 and is the composer's only piano concerto.The complete work was premiered in Dresden on December 4th of 1845. Robert Schumann’s Op. Murray Perahia’s 1987 Schumann and Grieg concertos with Colin Davis remain the most recommendable digitally recorded pairing of these war-horses, and they bloom even more via Sony’s Expanded Edition remastering. 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